High Fenced 1996



Synthetic polymer paint on canvas, 203 x 153

Signed and dated verso

Collection unknown (last auctioned 2022)

This work, first shown by Tolarno at the Fifth Australian Contemporary Art Fair in Melbourne, and then at Art Cologne in November 1996, applies the all-over ‘moiré’ patterning Arkley developed in 1994 to a new suburban subject, featuring quasi-classical detailing in the front fence. This composition first appeared in monochrome form in High Fenced (1995) [W/P].

Arkley’s archive (see Visual Diary 44) contains an extensive series of photos of the painting in progress, documenting the meticulous process of underpainting and air-brushed work involved, and also several photos showing Arkley with the completed work in October 1996, one of them annotated as taken at ACAF5.

Provenance details and a good recent photograph, as shown here, were kindly provided by Ella Perrottet (Registrar, Deutscher and Hackett), ahead of the auction of the work in Melbourne in November 2022.

Provenance

  • Tolarno Galleries, Melbourne
  • Gould Galleries, Melbourne, acquired from the above, 1996
  • Private collection, London, acquired from the above, 2000
  • Auctioned by Deutscher and Hackett, Melb., 1 Dec.2022, lot 5 (with additional provenance details and photograph as shown here; est.$500-700,000; sold for $700,000 + B/P = $859,091)

Exhibited

  • Tolarno at ACAF5 (Australian Contemporary Art Fair 5), 2-6 Oct.1996
  • Tolarno at Art Cologne, Cologne, Germany, 10-17 Nov. 1996